The great artists of the world are never Puritans, and seldom even ordinarily respectable.
—H.L. Mencken. Prejudices, First Series. 1919.
Puritanism is the haunting fear that someone, somewhere, may be happy.
—H. L. Mencken 1880 - 1956
I’ve kept a commonplace book in the past; this is my commonplace blog.
The great artists of the world are never Puritans, and seldom even ordinarily respectable.
—H.L. Mencken. Prejudices, First Series. 1919.
Puritanism is the haunting fear that someone, somewhere, may be happy.
—H. L. Mencken 1880 - 1956
If men learn this, it will implant forgetfulness in their souls; they will cease to exercise memory because they rely on that which is written, calling things to remembrance no longer from within themselves, but by means of external marks. What you have discovered is a recipe not for memory, but for reminder. And it is no true wisdom that you offer your disciples, but only its semblance, for by telling them of many things without teaching them you will make them seem to know much, while for the most part they know nothing, and as men filled, not with wisdom, but with the conceit of wisdom, they will be a burden to their fellows.
Some say the Weezel-masculine doth genderVia Cliosfolly
With the Shee-Weezel only at the Eare
And she her Burden at hir Mouth doth render;
The like (sweet Love) doth in our love appear:
For I (as Masculine) beget in Thee
Love, at the Eare, which thou bearst at the Mouth
And though It came from Hart, and Reynes of me
From the Teeth outward It in thee hath growth.
My Mouth, thine Eares, doth ever chastly use
With putting in hot Seed of active Love;
Which, streight thine Ear conveyeth (like a Sluce)
Into thy Mouth; and, there but Aire doth prove:
Yet Aire is active; but, not like the fire
Then O how should the Sonne be like the Sire?
I myself have never been able to find out precisely what feminism is: I only know that people call me a feminist when I express sentiments that differentiate me from a doormat or a prostituteRebecca West
. . . inclines to the impulse, it assumes direction with the first line laid down, it runs a course of lucky events, and ends in a clarification of life—not necessarily a great clarification, such as sects and cults are founded on, but in a momentary stay against confusion.
Robert Frost
Poetry provides the one permissible way of saying one thing and meaning another. People say, “Why don’t you say what you mean?” We never do that, do we, being all of us too much poets. We like to talk in parables and in hints and in indirections—whether from diffidence or some other instinct.
Robert Frost
Speketh not in the heigh style, but so playn at this time,
I yow preye, that we may understonde what ye saye.
The Host to the Clerke of Oxenforde. Chaucer. Canterbury Tales. c. 1400.
Always do right. This will gratify some people and astonish the rest
Mark Twain